Music and The Nature of Existence

In music, notes start out as whole. A whole note is fundamental to music. From there the only possible, probable and necessary disposition is another whole note or half notes, quarter notes etc. Ohm’s Law. The structure is the same but the mass, volume and measure changes.

Music, Pascal’s Triangle and Nature are fundamentally about introspection and growth by these means. You learn by jam session. Nature is learning by jam session. Existence is a jam session. 

Music, math and nature are singing as they progress in mosaic repertory of emphatic explicate of itself; the quarter note in rhythm signature with the Sun and moon: Time.

You are whole necessarily because there exists something called a, “whole note.” This is tacit proof of our own whole existence. A whole note is position positive with variations of itself artistically displayed – Pi.

The nature of Music is the nature of existence.

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Conductors of Emphasis in the key of Truth

You are emphasis in the key of Truth.

Parallel is the G chord is emphasis in the Key of E among the polyphony of open chord harmony. Everything is in the key of Einstein’s E, which his E of energy – which is Truth. Just like notes inside E can’t leave the Key of E, we are notes that cannot leave the Truth.

Your body is the screen that’s the extraction method of distinguishing the G chord from the polyphony of flowing sounds; Schrödinger equation is the math of harmonious sounds that are always on and playing. The Heisenberg uncertainty principle, these notes suspended in potential courses of action. The Heisenberg uncertainty principle is Harmony before procedural execution; before you play the song.

In order to emphasize the most exciting chord you can imagine, there needs to be a convection of sound. The G chord needs to be isolated with definition of being. So it can expand in the same space isolated. That’s emphasis.

So we need a cogent mask to filter out all the expatiating harmony of E11#9. We need to single out one of the strains of sound so we can enjoy it by itself. So all harmony is altruistically giving of it’s potential and going with your designs to isolate a specific chord. Existence is changing its course of action because of you.

Why would we want to isolate the G harmony if all harmony is endlessly resplendently expatiating all over the place?

Why do you like some songs and not others? Because we have 5 electric strings in our head and are purely just harmonizing with various songs (people) and reflexively choosing the ones that have the best sound.

We are guided by our Intuition of Truth. We know exactly what key we’re in and we are excited to phase in to people’s songs and jam with them. We do this with everyone through Empathy with Emphasis of likeness. Emphasis being “Emotional Phasing.” more specifically, we create an Emotional Pathway with them and then Emotionally Phase in with them. It’s Fusion. It could be called Emfusis. Or Emphasis. I love language.

We Emotionally Phase in with the emotional stasis of a person whose chord progression that we like. Phasing in, is fusion of music between two or more points. If we don’t like the song being expanded by a person and can’t leave we will refer to the space as hellish. That’s being forced to listen to terrible out of tune music in a closed space for extended duration. Sometimes this is a “job.”

In order to phase in from Schrödinger’s “Phase State” of  polyphonic totality, we need a body to convect strains of notes into a song that is exciting to our personal emphasized chord progression.

We need a procedural partition that gives us the ability to access some existing harmony while ordering the totality around it. That’s what your fingers are doing on the fret board. That’s why what your body and mind is doing with the totality of life harmonics.

You are always in the key of Truth. You’ll know truth when you see it because you will immediately harmonize with it. You are an Altruist because you volunteer to harmonize with everything, even if the harmony is weak.

Even if the song is weak you solider on tenaciously in spite of bad music. You are a unconditional love outlet with tacit knowledge of universal harmony.

The suggestion I make is to figure out when the music goes bad or changes key and the having the strength to modulate to your preferred key or just stop playing bad music with them.

The goal is always play music that you like. If you get stuck playing music you don’t like with someone and can’t leave, because of your persistent altruism, then stop playing with them and find a better rock band.

We are the conductor of emphasis in design harmonics.